Movies:

Filmmaker Jonas Mekas films 160 underground film people over four decades....

Michel Auder’s Jesus – in which underground NY artists and Warhol superstars openly discuss their beliefs. Jesus – which premiered as a screening at The Kitchen in 1980 – mixes documentary elements such as footage of evangelical TV programs, books, c...

Documentary portrait of Henri Langlois, co-founder of the Cinémathèque Française....

Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's 1963 Cleopatra, starring Elizabeth Taylor and Richard Burton which Auder's cast watched and used as the ...

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see...

"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante...

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated registers: that of the archival footage and that of the new, theatrical material. In his guise as “Michel Au...

“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier Mosset's exhibition openings. A psychedelic game of improvisation joins the Zanzibar group with Salvador Dalí, Barbet Schroeder and Jean Mascolo... the solar...

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In 1969 Michel Auder began a series of video diaries that chronicled the art scene in downtown New York. In Chelsea Girls with Andy Warhol, Auder captures revealing moments in Warhol's public and private life: the opening of the 1970 Whitney Museum r...

The film begins with shots in Venice, passers-by seized from a hotel room, with Tina Aumont. It continues in Morocco during the filming of Bed of the Virgin, in a hotel room, people chat, play the guitar, smoke....

The Chronicles capture the natural and cultural beauty of Morocco from its ancient walled villages to its nomadic caravans. Music comes from everywhere. Edited almost thirty years apart, the two Chronicles together are a study in Auder's approach to ...

1967 (made in 2015) presents newly found and digitized silent 16mm films from the 1960s in the form of a four-part composition portraying a cast of artists, writers, musicians and actors who made up the bohemian underground of that time. The film rec...

In 1970 Valerie Solanas was released from a mental institution, two 
years after shooting Andy Warhol. Still unstable, she moved into the 
Chelsea Hotel where she penned a death threat to Michel Auder and his
wife Viva. Using a soundtrack by Wagner, ...

Reel-to-reel video by Michel Auder, recorded 1971, edited 2009. Features Auder's former wife Viva....

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Gulf War TV War was made in one of Auder's usual domestic modes: filming his TV, in which he documents American television news during the run-up to the first Gulf War, a mixture of crass propaganda and feeble journalism, image and text. Montages of ...

The Course of Empire is inspired by the eponymous series of paintings created by Thomas Cole from 1833 to 1836. A 'text film,' constructed from iPhone images of writings by James Baldwin, Donna J. Haraway, and Arthur Rimbaud, it also features excerpt...

Michel reads a book about love, with pictures of naked ladies flashing by and a song by Laurie Anderson playing in the background....

Through the use of original and appropriated video footage, Auder translates a religious sermon into an expression of love for this strikingly beautiful woman. This lovers tale opens with a photograph of Denise that is alternately caressed and crushe...